All posts by molly

presentation accepted: MCAA

A quick tidbit.

I’ve gotten a paper proposal accepted for the Midwest Conference on Asian Affairs in early October, in Columbus, OH. I’m excited about this conference in particular because of its focus on media and communication throughout history, and thinking hard about how we approach our various fields through this lens (or vice versa).

My own topic is something I will elaborate on later, but for now, let me tell you it’s about the impossibility of separating physicality from social network from archive from publication in the context of a certain book in the late 1800s. To be less vague, I’m going to talk about how one man’s “rediscovery” (via many allusions by a fiction author he liked) of Ihara Saikaku (then mostly forgotten, now Mr. Edo-Period Canonical Author) in the 1880s. Those who got excited about reading Saikaku talk quite a bit about buying, handling, and borrowing/lending old copies of Saikaku’s work, and in their anthology that they published, they go so far as to credit each work with whose archive/collection it came from. The sense of physical ownership – and being able to touch the thing itself – is overwhelming compared to everything else I’ve looked at from this period. It’s fascinating and exciting and I’m looking forward to sharing this finding as well as getting feedback on my methodological approach and conclusions. (Surely weak at best, given that this is news to me and I haven’t had a lot of time to develop my thinking over the past year, buried in a mountain of magazines in the library basement.)

By the way, this probably can’t fit into the paper, but the social ripples of Saikaku popularity vibrate constantly through the Meiji literature and general literary discourse that I read throughout my research. Saikaku love versus hate, going so far as to adopt a pseudonym that translates to “I love Saikaku” while attempting to imitate his style in one’s own writing, republishing his works in random magazines, the changing ideas about whether or not his works qualify as modern works of fiction (小説, now translated as “novel” but then quite contested), and reactions to him – they not only feed into and inform and make clear literary cliques and their interactions, but also literary trends and experimentation in an era where nearly anything goes.

A forgotten author as a window into an historical moment: nothing could make me happier about choosing the path that I have.

series proposals

In lieu of actual content (which I promise I am actually working on in draft form), I have a few proposals and I’d be interested to hear some feedback on them.

As a beginning professional blogger (and by that I mean “blog about my profession,” not “it’s my job”), I’ve been thinking a lot about how to approach it. How do I attract and retain readers? How much substance is enough, is expected, or is too much? Do I act as a link referral service, commentary, or something closer to my academic work?

I could do all three, but what I am coming to think is that I need serious consistency. I am thinking of it in the following ways:

  • posting frequency
  • posting content consistency
  • focus on my academic and professional work, big picture style
  • currency/timeliness

But I think a fine and perhaps necessary addition to this kind of stream of consciousness style posting is a series. A series or two?

My ideas boil down to these three:

  • weekly On the Media review and commentary
  • monthly Moratoria highlighting terms and methodology within my fields that “I find problematic” (that’s academic slang for “they piss me off and I can’t believe people actually use them in this day and age”)
  • perhaps most important, Read the Fine Print (the original title of this blog, stricken for being too forgettable), highlighting the complexities of ownership, intellectual property, contracts, power relationships in publishing, publishing customs, assumptions and their reality, and issues in authorship.
  • I spoke too soon – on par in importance, Librarian Alert, covering topics that are less well-represented in the library blogosphere and academic literature – some examples are net neutrality, thinking of plagiarism from the standpoint of student authorship rather than source evaluation, and critical information literacy theory and practice in instruction.

What do you think? Is there anything else related to book history, librarianship, journalism, communication, information science, Japanese literature, literature in general, or my fascinating (read: not) life that you’re interested in hearing about regularly? Topics I haven’t covered or seem to be unintentionally avoiding?

Thoughts?

arbitrary categorization: temporal boundary installment

An arbitrary annoyance of mine has piqued a strange and obsessive interest, and perhaps you could say, a one-woman mission to rethink the way we cut off time.

A fancy way of saying this: as midnight approaches (well beyond my bedtime on a school night), I look at the clock in the playground below my balcony. And I think, it’s almost tomorrow.

But why is it almost tomorrow? Why mark the day with midnight, why that arbitrary division? Not that any division won’t be arbitrary, that any border or category of “day” and “hour” and any other subdivision won’t be, but that I wonder – why not the dawn?

Surely, one can protest, it is fluid and doesn’t remain constant on every day. It ruins, as Benedict Anderson put it, homogenous, empty time. Is time homogeneous, even for those of us who live in supposed modernity? I argue that it is not, although that’s not much of an argument. I state that is not. I put forward that we give great meaning to temporal boundaries, that those meanings change day today, season to season, year to year. Those boundaries can, and are, meaningful markers, no matter how arbitrary.

As a technical Catholic (there is no escape; trust me, I tried), I reflected recently on my idea to spend Christmas as a vacation, to indulge my atheism. And then it hit me – perhaps I could enjoy a really spectacular Christmas in finding an opulent Catholic church and attending midnight mass.

Midnight mass. What an example. I’ve got my own intellectual issues with Anderson. They are legion. I can’t think of a better example to contradict his argument about time and modernity. Midnight mass is a technicality, like so much in the Catholic faith (and I say that with the utmost good will), a way to get in an obligation just-in-time, before getting off the hook for the commercial and gustatory hedonism that is Christmas Day. It’s predicted “just-in-time” delivery of business services by, well, as long as it’s existed. Something tells me that’s quite longer than the 1990s.

Back to my proposition, which is this: forget this day change at midnight. What is the point? We sleep through it. (Well, some of us. We should. And we don’t.) We can’t directly experience our social marking of the boundaries of the day. There is, really, no social marking, save for those on the night shift or those who are rushing to finish a project that was due tomorrow one minute, then today the next. Midnight projects an air of sadness, loneliness, and sometimes one of panic.

I’m on a one-woman mission to change this. From now on, I call for a universal change of marking the passage of one day to the next. My choice is 5 am. I’d love dawn. But our homogeneous empty time seems to call for an arbitrary number. 5 am. This is what I want.

Anyone with me?

photography and the real

originally published 2010.03.02 at http://mali-in-japan.livejournal.com/49238.html

Regarding this article (okay, David Pogue’s blog entry) in today’s New York Times: Photoshop and Photography: When Is It Real?

So, the basic issue here is – when does photography cross the line from “photography” to, well something else? Something “fake” or set up or constructed? In other words, to put it in the simpler words of the headline – when is it photography and when is it just Photoshop?
Continue reading photography and the real

thinking about google books and authorship

The more the Google Books project proceeds, the faster my thinking about it changes. You could say I have either the pleasure, or the misfortune, to be looking at these kinds of developments through a couple of frameworks: my scholarship in book history; my service as a librarian (both to my patrons – by making information accessible – and to rights holders); and my position as a creator of various kinds.

I think I’ve developed some kind of opinion about Google Books until I realize I have been thinking only through one or two of these, and when I begin to shift my frame of reference, I’m brought back down to earth. This is a complicated issue that I can’t even reconcile with myself. It’s no wonder no one else seems to be able to agree on it either.

Lately, though, as an author myself I have started to come down on the side of opposing Google Books much in the way Harvard’s library has. Robert Darnton – hero of book history and head of the library – made the decision to allow Google to scan only public domain (out-of-copyright) works from their library.

Continue reading thinking about google books and authorship

wellness, environment, the body, the mind

… a Holley resident once told a reporter, at A.G. Holley, “the principal thing is to get well and get out of here.” (‘In Florida, a Lifeline to Patients with TB,’ The New York Times, June 12, 2010)

As someone born after the de-institutionalization of all kinds of patients – those suffering from both mental illnesses and what we like to call plain old illnesses – I have never stopped to consider the environment of the sanitarium. Even as someone who studies the 19th and early 20th centuries, where authors whose works I read more often than not succumbed to early death at the hands of diseases we now cure easily, it doesn’t register with me that as recently as fifty years ago, treatment could consist of anything besides a quick hospital visit and then a solitary regimen of medications taken at home, sick days meaning isolation in the private home.

When I think now about the few forms of institutionalized care that I’m familiar with, the association is purely negative: nursing homes and mental hospitals. They’re frightening, alienating environments, signaling to me the helplessness of the patient and the power of authorities over not just their well-being but over their very lives. Even I assume that I would become someone holding onto their “own” house for dear life, even after no longer being able to care for it, rather than go to someplace where I trade independence for life.

Yet reading about one of the last tuberculosis sanitariums in the United States, I was struck by the idea of community, environment, and disease. Community not in the sense of connections to family and neighbors or friends, but connections to caregivers and to a different kind of neighbor – those who share not your locale but your condition. Your way of life as influenced by what makes you suddenly abnormal. The illness.

Continue reading wellness, environment, the body, the mind

the value of a pseudonym: privacy, paranoia, and internet identity

There has been a lot of panic lately about Facebook’s questionable use of the data it collects, and its less than transparent changes to its user and privacy policies. I have heard more than one person swear to delete their account (although none of them have to date), and I nearly did so myself in a fit of annoyance at the thing.

However, I remembered something that put my mind at ease. I’m not myself on Facebook. I’m someone else. I have nothing to fear, because nothing there is real.

In other words, I am pseudonymous.

Continue reading the value of a pseudonym: privacy, paranoia, and internet identity

read the fine print, part I: CJS photo contest

Today, I received a call for submissions for a photography contest run annually by my university’s Center for Japanese Studies. I’ve always put this to the side before, but since photography is one of my main activities in life, I looked into it today.

(Aside: this is going to be a two-parter in the interest of space. The other issue this brought up for me was that whole “photography and the real” that I posted about a few months ago. Coming soon.)

The two main questions I had were, of course, could I submit more than one photo, and more important, did acceptance of the photo in the contest come with a price?

Of course, what I’m talking about here are my intellectual property rights as an artist.

Continue reading read the fine print, part I: CJS photo contest

good news!

I have been selected as a member of the Writing Assistance Team for the journal of Evidence Based Library and Information Practice!

This isn’t a big job, and it’s volunteer: basically, if a non-native English speaker submits a paper that is accepted but needs major revision for natural English, I will communicate/collaborate with the author to work through the rewrite of the unnatural parts. I’ll get recognized by name in the journal for doing this. Of course, few papers that come through will need this, but still – I am excited! This is something I’ve got the skill set for and I am looking forward to using it.

What’s also great about this journal is that it’s open access, something that I’m very committed to – open education, and open access to scholarship. I’m really happy to be contributing to a journal that makes its content available online and uses a Creative Commons license on the articles. Check out their web site for more information.

moratoria: “western” edition

Some of you who know me well (academically) will probably not be surprised by this post, but here I go anyway. I just need to vent a little.

I am typing up handwritten notes right now, getting organized. I am typing some words over and over (used by the authors of the things I took notes on, not me): “western,” “european” and their “influence”.

Okay, I am officially calling you out on this, scholars. This, as far as I am concerned, is about as INTELLECTUALLY LAZY as you can get.
Continue reading moratoria: “western” edition